Podcast interview with Glen from Polyglot about the live soundscape in Paper Planet

17 07 2015

The highlight of the recent winter school holidays public program at Powerhouse Museum was the completely delightful Paper Planet hybrid theatre-piece/installation/playspace/makerspace. Paper Planet is one of the pieces in Polyglot’s repertoire, and it sure hit the Museum’s mission to be a catalyst for creative expression and curious minds.

For me, and clearly for the record numbers of Museum visitors who participated in it, Paper Planet is an immersive intergenerational meeting point for lo-tech and high-creativity. This same mix is represented in the approach to the live and spontaneous sung and spoken word and musical elements, in which the Paper Planet ‘maker-audience’ contribute to the soundscape using the microphone inputs and makey-makey ‘keyboard’.

Former Polyglot performer, and current musician in residence Glen, was kind enough to speak to me about the technical aspects of his ‘music booth’ set in a corner grotto of the evolving primordial paper planet forrest environment. The music booth was an Ableton rig, incorporating synth, keyboard/trigger pad controller, acoustic and electric guitar and effects, and two microphones: one for the participants and one for the resident musician, and an Arduino powered ‘makey-makey’ style keyboard.

Listen to our conversation here.

Paper Planet sound booth sign

The sound booth in Polyglot’s Paper Planet


The sound booth equipment in Polyglot's Paper Planet

The sound booth equipment in Polyglot’s Paper Planet

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